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Li, Z. & McAdams, S. (2022).

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McAdams, S. & Battier, M. (Eds.). (2005). Creation and Perception of a Contemporay Musical Work: The Angel of Death by Roger Reynolds. E-book, Paris: Ircam-Centre Pompidou. []

Noble, J., Bonin, T., Dean, R. & McAdams, S. (2023). Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of G茅rard Grisey's Vortex Temporum. In J. London & C. W枚llner (Eds.), Performing time: Synchrony and temporal flow in music and dance听(pp. 301-308). Oxford University Press.

Antoine, A., Depalle, P., Macnab-S茅guin, P. & McAdams, S. (2021). Modeling human experts' identification of orchestral blends using symbolic information. In R. Kronland-Martinet, S. Ystad & M. Aramaki (Eds.), Perception, Representations, Image, Sound, Music, pp. 363-378. LNCS 12631, Springer Verlag, Cham, Switzerland.听

Siedenburg, K., Saitis, C. & McAdams, S. (2019). The present, past, and future of timbre research. In K. Siedenburg, C. Saitis, S. McAdams, A. Popper, A. & R. Fay (Eds.), Timbre: Acoustics, Perception, and Cognition, pp. 1-22, Springer Handbook of Auditory Research, Springer Verlag, Cham, Switzerland.听

McAdams, S. (2019). The perceptual representation of timbre. In K. Siedenburg, C. Saitis, S. McAdams, A. Popper, A. & R. Fay (Eds.), Timbre: Acoustics, Perception, and Cognition, pp. 23-58, Springer Handbook of Auditory Research, Springer Verlag, Cham, Switzerland.听

McAdams, S. (2019). Timbre as a structuring force in music. In K. Siedenburg, C. Saitis, S. McAdams, A. Popper, A. & R. Fay (Eds.), Timbre: Acoustics, Perception, and Cognition, pp. 211-244, Springer Handbook of Auditory Research, Springer Verlag, Cham, Switzerland.听

Touizrar, M. & McAdams, S. (2019). Aspects perceptifs de l'orchestration dans The Angel of Death de Roger Reynolds: Timbre et groupement auditif. Dans听P. Lalitte (dir.), Musique et cognition : Perspectives pour l'analyse et la performance musicales, pp. 55-78, Editions universitaires de Dijon, Dijon.
[English translation: Perceptual facets of orchestration in The Angel of Death by Roger Reynolds: Timbre and auditory grouping.听

McAdams, S. & Siedenburg, K. (2019). Perception and cognition of musical timbre. In P. J. Rentfrow & D. J. Levitin (Eds.), Foundations in Music Psychology: Theory and Research, pp. 71-120, MIT Press, Cambridge, MA.

McAdams, S. & Goodchild, M. (2017). Musical structure: Sound and timbre. In R. Ashley & R. Timmers (Eds.), The听Routledge Companion to Music Cognition, pp. 129-139, Routledge, New York.

McAdams, S. & Giordano, B. L. (2015). The perception of musical timbre. In S. Hallam, I. Cross & M. Thaut (Eds.), Oxford Handbook of Music Psychology, 2nd ed., Oxford University Press, New York. doi: 10.1093/oxfordhb/9780198722946.013.12.

Sears, D. (2015). The perception of cadential closure. In Neuwirth, M. & Berg茅, P. (Eds.), What Is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (pp. 253-285).听Leuven University Press, Leuven.

Trochidis, K., Sears, D., Tr芒n, D.-L. & McAdams, S. (2013). Psychophysiological measures of emotional response to Romantic orchestral music and their musical and acoustic correlates. In M. Aramaki, M. Barthet, R. Kronland-Martinet & S. Ystad (Eds.), Computer Music Modeling and Retrieval, LNCS 7900, pp. 44-57, Berlin. Springer.

Giordano, B.L., Susini, P. & Bresin, R. (2013). Perceptual evaluation of sound-producing objects. In Franinovi, K. & Serafin, S. (Eds.), Sonic Interaction Design, MIT Press, Cambridge, MA.

McAdams, S. (2013). Musical timbre perception. In听Diana Deutsch (Ed.),听The psychology of music (3rd Edition).听To dowload sound samples that accompany this chapter:听.

Susini, P., Lemaitre, G. & McAdams, S. (2011). Psychological measurement for sound description and evaluation. In B. Berglund, G. B. Rossi, J. T. Townsend & L. R. Pendrill (Eds.), Measurements with Persons: Theory, Methods and Implementation Areas听(pp. 227-253).听New York:听Psychology Press.

Gingras, B., McAdams, S., & Schubert, P. (2010). The performer as analyst: A case study of J.S. Bach's 鈥淒orian鈥� fugue BWV 538. In C. Utz (Ed.), Music Theory and Interdisciplinarity. Musik Theorien der Gegenwart, vol. 4. Pfau: Saarbr眉cken, pp. 1-14.

Frey, A., Tijus, C. & McAdams. S. (2008). Etude de la perception d'une 艙uvre musicale contemporaine: le d茅coupage en unit茅s signifiantes. In E. Rix & M. Formosa (Eds.), Vers une s茅miotique g茅n茅rale du temps dans les arts, Editions Delatour-France/IRCAM-Centre Pompidou, Paris, pp. 59-78.

Visell, Y., Cooperstock, J., Giordano, B., Franinovic, K., Law, A., McAdams, S., Jathal, K. & Fontana, F. (2008). A vibrotactile device for display of virtual ground materials in walking. In M. Ferre (Ed.), EuroHaptics 2008. Lecture Notes in Computer Science 5024听(pp. 420鈥�426).听Berlin,听Germany:听Springer-Verlag.

Burgoyne, J.A. & McAdams, S. (2008). A meta-analysis of timbre perception using nonlinear extensions to CLASCAL. In R. Kronland-Martinet, S. Ystad & K. Jensen (Eds.),听Sense of Sounds. Lecture Notes in Computer Science 4969 (pp. 181-202).听Berlin, Germany:听Springer-Verlag.

Donnadieu, S. (2007). Mental representation of the timbre of complex sounds. In Beauchamp, J. (Ed.), Analysis, Synthesis, and Perception of Musical Sounds, (pp. 272-319), Springer, New York, NY.

Grimault, N., McAdams, S. & Allen, J.B. (2007). Auditory scene analysis: A prerequisite for loudness perception. In B. Kollmeier, G. Klump, V. Hohmann, U. Langemann, M. Mauermann, S. Uppenkamp & J. Verhey (Eds.), Hearing: From Sensory Processing to Perception听(pp. 295-302).听Berlin,听Germany:听Springer-Verlag.

Ayari, M. & McAdams, S. (2005). L'influence du savoir culturel sur la perception et la compr茅hension musicales. In F. Madurell (Ed.), Les pratiques d'茅coute individuelles, Paris, France: Universit茅 de Paris-Sorbonne.

Vieillard, S., McAdams, S., Bigand, E. & Reynolds, R. (2005). Cr茅ation et perception d'une 艙uvre de musique contemporaine: The Angel of Death de Roger Reynolds. In M. Borillo 听(Ed.), Approches cognitives de la cr茅ation artistique (pp. 129-153). Brussels, Belgium: Pierre Mardaga.

McAdams, S., Depalle, P. & Clarke, E. (2004). Analyzing musical sound. In E. Clarke & N. Cook (Eds.), Empirical Musicology: Aims, Methods, Prospects听(pp. 157-196).听New York, NY:听Oxford University Press.听

McAdams, S. & Matzkin, D. (2003). The roots of musical variation in perceptual similarity and invariance. In I. Peretz & R. Zatorre (Eds.), The Cognitive Neuroscience of Music (pp. 79-94).听Oxford:听Oxford University Press.

Ayari, M. & McAdams, S. (2002). Le sch茅ma cognitif culturel de l'improvisation modale: Forme musicale et analyse perceptive. In F. L茅vy & J.-M. Chouvel (Eds.), Observation, analyse, mod猫le. Peut-on parler d'art avec les outils de la science?听(pp. 395-418).听Paris: Harmattan.听

McAdams, S. & Drake, C. (2002). Auditory perception and cognition. In H. Pashler (Series Ed.) & S. Yantis (Vol. Ed.), Stevens' Handbook of Experimental Psychology: Vol. 1. Sensation and Perception (3rd. ed.), pp. 397-452. New York, NY:听Wiley.

McAdams, S. & Winsberg, S. (2000). Psychophysical quantification of individual differences in timbre perception. In A. Schick, M. Meis & C. Reckhardt (eds.), Contributions to Psychological Acoustics: Results of the 8th Oldenburg Symposium on Psychological Acoustics (pp. 165-182).听Oldenburg: Bis.

Houix, O., McAdams, S. & Causs茅, R. (1999). Auditory categorization of sound sources. In M. A. Grealy & J. A. Thomson (eds.), Studies in Perception and Action V, Lawrence Erlbaum Associates, Mahwah, NJ., pp. 47-51.

Pressnitzer, D. & McAdams, S. (1999). An effect of the coherence between envelopes across frequency regions on the perception of roughness. In T. Dau, V. Hohmann & B. Kollmeier (eds.), Psychophysics, Physiology and Modesl of Hearing, World Scientific, London, pp. 105-108.

Pressnitzer, D. & McAdams, S. (1998). Phase effects in roughness perception. In A.R. Palmer, A. Rees, A.Q. Summerfield & R. Meddis (Eds.), Psychophysical and Physiological Advances in Hearing, Whurr Publishers, Londres , pp. 286-292.

McAdams, S., Smith, B.K., Maillot, M. & Frachet, B. (1997). S茅lectivit茅 fr茅quentielle et identification de voyelles simultan茅es chez des auditeurs normo-entendants et malentendants. In Y. Christen, L. Collet & 听M.-T. Droy-Lefaix (Eds.), Rencontres IPSEN en ORL, Editions Irvinn, Boulogne, pp. 131-145.

McAdams, S. (1997). L'organisation perceptive de l'environnement sonore. In Y. Christen, L. Collet & 听M.-T. Droy-Lefaix (Eds.), Rencontres IPSEN en ORL, Editions Irvinn, Boulogne, pp. 91-102.

McAdams, S. (1996). Audition: Cognitive psychology of music. In R. Llin谩s & P. Churchland (Eds.), The Mind-Brain Continuum听(pp. 251-279), MIT Press, Cambridge, MA.

Botte, M.C., McAdams, S. & Drake, C. (1995). La perception des sons et de la musique. In B. Lechevalier & F. Eustache (Eds.), Perception et agnosies: S茅minaire Jean-Louis Signoret, De Boeck, Bruxelles, pp. 55-99.

McAdams, S. (1994). Audition: physiologie, perception et cognition. In M. Richelle, J. Requin & M. Robert (Eds.), Trait茅 de psychologie exp茅rimentale, PUF, Paris, pp. 283-344.

McAdams, S. & Bigand, E. (1993). Introduction to auditory cognition. In S. McAdams & E. Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition, Oxford Univeristy Press, Oxford, pp. 1-9.

McAdams, S. (1993). Recognition of auditory sources and events. In S. McAdams & E. Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition, Oxford University Press, Oxford, pp. 146-198.

McAdams, S. (1991). Pertseptivnaya organizatsiya akusticheskoy sryedy [L'organisation perceptive du monde sonore]. In V. Nosulenko (Ed.), Problemy ekologicheskoy psykhoakustiki [Probl猫mes de psychoacoustique 茅cologique], Institut de Psychologie, Moscou, pp. 28-50.

McAdams, S. & Rodet, X. (1988). The role of FM-induced AM in dynamic spectral profile analysis. In H. Duifhuis, J.W. Horst & H.P. Wit (Eds.),听Basic Issues in Hearing, Academic Press, London, pp. 359-369.

McAdams, S. (1984). The auditory image: A metaphor for musical and psychological research on auditory organization. In W.R. Crozier & A.J. Chapman (Eds.), Cognitive Processes in the Perception of Art, North-Holland, Amsterdam, pp. 289-323.听

McAdams, S. (1982). Spectral fusion and the creation of auditory images. In M. Clynes (Ed.), Music, Mind and Brain: The Neuropsychology of Music, 听Plenum Press, New York, pp. 278-298.

Crestel, L., Esling, P., Heng, L. & McAdams, S. (2017). A database linking piano and orchestral MIDI scores with application to automatic projective orchestration.听18th International Society for Music Information Retrieval Conference, Suzhou, China, October 23-28, 2017.

Kazazis, S., Esterer, N., Depalle, P. & McAdams, S. (2017). A performance evaluation of the Timbre Toolbox and the MIRToolBox on calibrated test sounds.听In G. Scavone, E. Maestre, C. Kemp & S. Wang (Eds.), Proceedings of the 2017 International Symposium on Musical Acoustics, Montreal, June 18-22, 2017 (pp. 144-147).

Kazazis, S., Depalle, P. & McAdams, S. (2016). Sound morphing by audio descriptors and parameter interpolation.听Proceedings of the 19th International Conference on Digital Audio Effects (DAFx16), Brno, Czech Republic, September 5-9, 2016.

Daniel, A., Nicol, R. & McAdams, S. (2010). Multichannel audio coding based on minimum audible angles.听Proceedings of the 40th Annual Audio Engineering Society Conference, Tokyo.

McAdams, S. & Giordano, B.L. (2010). La psychoacoutique d茅voile le potentiel musical du timbre.听Actes du 10eme Congr猫s Fran莽ais d'Acoustique, Lyon. Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM]. Also published in听Acoustique & Techniques,听60, 13-20.

Giordano, B.L., Avanzini, F., Wanderley, M. & McAdams, S. (2010). Multisensory integration in percussion performance.听Actes du 10eme Congr猫s Fran莽ais d'Acoustique, Lyon. Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Daniel, A., Guastavino, C. & McAdams, S. (2010). Effet du rapport signal-sur-bruit sur l'angle minimum audible en pr茅sence d'un son distracteur.听Actes du 10eme Congr猫s Fran莽ais d'Acoustique, Lyon. Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Giordano, B. L., Guastavino, C., Murphy, E., Ogg, M., Smith, B. & McAdams, S. Common and distinctive features of similarity: Effect of behavioral method.听Abstracts of the 50th Meeting of the Psychonomic Society,听14, 112 (A).

Giordano, B. L., Avanzini, F., Wanderley, M., & McAdams, S. (2009). Integrating nonspatial, nontemporal multisensory information in action-based perception.听Proceedings of the 10th International Multisensory Research Forum, New York, pp. 64鈥�65.

Peters, N., Matthews, T., Braasch, J. & McAdams, S. (2008). Spatial sound rendering in Max/MSP with ViMiC.听Proceedings of ICMC2008, Belfast.

Peters, N., Giordano, B., Kim, S., Braasch, J. & McAdams, S. (2008). Predicting perceived off-center sound degradation in surround loudspeaker setups for various multichannel microphone techniques.听Proceedings of the 125th Convention of the Audio Engineering Society, San Francisco, USA.

Marentakis, G., Marshall, M., Malloch, J., Peters, N., Wanderley, M. & McAdams, S. (2008) Influence of performance gestures on the identification of spatial sound trajectories in a concert hall.听Proceedings of the 14th International Conference on Auditory Display, Paris.

Marentakis, G., Corteel, E. & McAdams, S. (2008). Wave-field synthesis evaluation using the minimum audible angle in a concert hall.听Proceedings of the 124th Convention of the Audio Engineering Society, Amsterdam.

Minard, A., Susini, P., Misdariis, N., Lemaitre, G., McAdams, S. & Parizet, E. (2008). Environmental sound description: Comparison and generalization of four timbre studies. In听CHI '08: Proceedings of the 26th Annual SIGCHI Conference on Human Factors in Computing Systems, Florence, Association for Computing Machinery, New York; pp. 65-70.

Gingras, B., McAdams, S. & Schubert, P. (2007). Effects of musical texture, performer's preparation, interpretative goals, and musical competence on error patterns in organ performance.听Proceedings of the International Symposium on Performance Science 2007, Porto, European Association of Conservatoires (AEC).

Peters, N., McAdams, S. & Braasch, J. (2007). Evaluating off-center sound degradationin surround loudspeaker setups for various multichannel microphone techniques.听Proceedings of the 123rd Convention of the Audio Engineering Society, New York.

Burgoyne, J.A. & McAdams, S. (2007). Non-linear scaling techniques for uncovering the perceptual dimensions of timbre,听Proceedings of the International Computer Music Conference, Copenhagen, ICMA:San Francisco.

Marentakis, G., Peters, N. & McAdams, S. (2007). DJ Spat: Spatialized interactions for DJs,听Proceedings of the International Computer Music Conference, Copenhagen, ICMA:San Francisco.

Giordano, B., McAdams, S. & McDonnell, J. (2007). Acoustical and conceptual information for the perception of animate and inanimate sound sources.听Proceedings of ICAD-07-13th Meeting of the International Conference on Auditory Display, Montr茅al, CA.

Giordano, B., McAdams, S. & McDonnell, J. (2007). Cognitive biases in estimating the similarity of environmental sounds.听Abstracts of the 48th Meeting of the Psychonomic Society,听12, 4051(A).

B茅zat, M-C., Roussarie, V., Kronland-Martinet, R., Ystad, S. & McAdams, S. (2006). Perceptual analyses of action-related impact sounds,听Euronoise 2006, Tampere, Finland.

Susini, P., McAdams, S. & Smith, B. (2005). Loudness asymmetries for tones with increasing and decreasing levels.听Proceedings of ICAD 05-11th Meeting of the International Conference on Auditory Display.

Suied, C., Susini, P. Misdariis, N., Langlois, S., Smith, B. & McAdams, S. (2005). Toward a sound design methodology: Application to electronic automotive sounds.听Proceedings of ICAD 05-11th Meeting of the International Conference on Auditory Display.

Dubnov, S., McAdams, S. & Reynolds, R. (2004). Predicting human reactions to music on the basis of similarity structure and information theoretic measures of the sound signal. S. Argamon, S. Dubnov & J. Jupp (Eds.),听Style and Meaning in Language, Art, Music, and Design, American Association for Artificial Intelligence Technical Report FS-04-07, pp. 37-40, AAAI Press, Menlo Park, CA.

Lemaitre, G., Susini, P., Winsberg S., & McAdams S. (2004). A method to assess the ecological validity of laboratory-recorded car horn sounds.Proceedings of the SFA/DAGA Conference, Strasbourg, Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Tardieu, J., Susini, P., Poisson, F. & McAdams, S. (2004). Soundscape design in train stations.听Proceedings of the Journ茅es du Design Sonore, Paris, Ircam-Entre Pompidou, Paris [CD-ROM].

Susini, P. & McAdams, S. (2004). Temporal asymmetry in loudness.听Proceedings of the SFA/DAGA Conference, Strasbourg, Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Lemaitre, G., Susini, P., Winsberg, S. & McAdams, S. (2003). Perceptively based design of new car horn sounds.听Proceedings of the 2003 International Conference on Auditory Display, Boston, MA, Boston University Publications, 47-50.

McAdams, S. (2002). Musical similarity and dynamic processing in musical contexts.听Proceedings of the International Symposium on Musical Acoustics, Mexico City, ENM/UNAM, Mexico City [CD-ROM].

Caclin, A., Brattico, E., Smith, B., Ternaviemi, M., Toiviainen, P., N盲盲t盲nen, R., Giard, M.-H. & McAdams, S. (2002). Musical timbre perception: A combined psychophysical and electrophysiological study,听Proceedings of ICON8, Porquerolles, 70.

Susini, P. & McAdams, S. (2002). Influence of sound-directed attentional focus on overall loudness ratings.听Proceedings of Forum Acusticum, Sevilla.

Lemaitre, G., Susini, P., McAdams, S. & Winsberg, S. (2002). Perceptual characterisation of the timbre of car horns.听Proceedings of Forum Acusticum, Sevilla.

McAdams, S., Smith, B.K., Vieillard, S., Bigand, E. & Reynolds, R. (2002). Real-time perception of a contemporary musical work in a live concert setting.听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Vieillard, S., Bigand, E., Madurell, F., McAdams, S. & Reynolds, R. (2002). Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Bigand, E., Vieillard, S., Madurell, F., McAdams, S. & Poulin, B. (2002). Effects of instrumentation on the memorization of musical materials.Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Vieillard, S., McAdams, S., Houix, O. & Reynolds, R. (2002). Perceptual and cognitive criteria used in the categorization of thematic excerpts from a contempoary musical piece.听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

McAdams, S. & Reynolds, R. (2002) Problem-solving strategies in the composition of The Angel of Death.听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Dufournet, D., Susini, P., Slama, M. & McAdams, S. (2001). An annoyance meter for squeak-and-rattle diagnostics,听17th International Congress on Acoustics Proceedings, Rome, vol. X, session 8_10, pp. 38-39 [CD-ROM].

Susini, P., Perry, I., Vieillard, S., Winsberg, S., McAdams, S. & Rodet, X. (2001) Sensory evaluation of air-conditioning noise: Sound design and psychoacoustic evaluation,听17th International Congress on Acoustics Proceedings, Rome, vol. III, session 6_09, pp. 20-21 [CD-ROM].

Turgeon, M., McAdams, S., Drake, C. & Samson, Y., (2000) The relative contribution of the visual and auditory signals to the dynamic reproduction of a rhythmic pattern,听8th International Workshop on Rhythm Perception and Production, Castleton, UK., pp. 38-39.

Peeters, G., McAdams, S. & Herrera, P. (2000) Instrument sound description in the context of MPEG-7.听Proceedings of the 2000 International Computer Music Conference, Berlin, pp. 166-169.

Matzkin, D. & McAdams, S. (2000) Similarity perception of variations of tonal and twelve-tone melodies.听Proceedings of the 6th International Conference on Music Perception and Cognition, Keele听[CD-ROM].

McAdams, S. (2000) La psychom茅chanique des sources sonores simples.听Actes du 5猫me Congr猫s Fran莽ais d'Acoustique, Lausanne, p. XXI.

Susini, P. & McAdams, S. (2000). Effet de r茅cence dans une t芒che de jugement de la sonie.听Actes du 5猫me Congr猫s Fran莽ais d'Acoustique, Lausanne, pp. 430-432.

Houix, O., McAdams, S. & Causs茅, R. (2000). Structures vibrantes et cat茅gorisation auditive.听Actes du 5猫me Congr猫s Fran莽ais d'Acoustique, Lausanne, pp. 437-440.

McAdams, S. (2000). Evaluation subjective de la qualit茅 sonore.听G锚ne ou agr茅ment: Vers la qualit茅 sonore. Actes du colloque SFA/SRGSE, Bron.

McAdams, S. & Misdariis, N. (1999). Perceptual-based retrieval in large musical sound databases.听Proceedings of Human Centred Processes '99, Brest, P. Lenca (Ed.), ENST Bretagne, Brest, pp. 445-450.

Thivard, L., McAdams, S., Smith, B., Boddaert, N., Savel, S., Belin, P., Zilbovicius, M., Samson, S. & Samson, Y. (1998). The functional anatomy of sound duration change detection.听Proceedings of the Society for Neuroscience, Los Angeles, CA.

McAdams, S. & Susini, P. (1998). Caract茅risation perceptive des bruits de v茅hicules.听Actes du Congr猫s Soci茅t茅 des Ing茅nieurs de l'Automobile/Soci茅t茅 Fran莽aise d'Acoustique, Courbevoie, SIA 981002.

Bey, C. & McAdams, S. (1998). Perception de m茅lodies intercal茅es: Implication des processus descendants dans l'organisation auditive.听Actes du VIIe Colloque de l'Association pour la Recherche Cognitive, D. Kayser, A. Nguyen-Xuan & A. Holley (Eds.), pp. 255-260.

Bey, C. & McAdams, S. (1998). Implication of top-down processes in auditory streaming.听Abstracts of the 39th Meeting of the Psychonomic Society,听Dallas, p. 25 (A).

Faure, A. & McAdams, S. (1998). Du percept au concept: Comment parle-t-on du timbre des instruments de musique听?Actes du 6猫me Colloque de l'Ecole Doctorale Neurobiologie et Comportement, J-F. Allilaire, D.Andler, P. Ascher, M-J. Besson, B. Calvino, F. Crepel & D. Tritsch (Eds.), p. C9 (A).

Bey, C. & McAdams, S. (1998). Implication des connaissances dans l'organisation auditive.听Actes du 6猫me Colloque de l'Ecole Doctorale Neurobiologie et Comportement, J-F. Allilaire, D.Andler, P. Ascher, M-J. Besson, B. Calvino, F. Crepel & D. Tritsch (Eds.), p. C3 (A).

McAdams, S., Susini, P., Misdariis, N. & Winsberg, S. (1998). Multidimensional characterisation of perceptual and preference judgments of vehicle and environmental noises.听Euro-Noise 98, M眉nchen: Designing for Silence, vol. I, pp. 561-566.

Susini, P. & McAdams, S. (1998). Global and continuous judgments of sounds with time-varying intensity: Cross-modal matching with a proprioceptive input device.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 571-572.

Roussarie, V., McAdams, S. & Chaigne, A. (1998). Perceptual analysis of vibrating bars synthesized with a physical model.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 2227-2228.

Misdariis, N., Smith, B., Pressnitzer, D., Susini, P. &听 McAdams, S. (1998). Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 2213-2214.

McAdams, S., Kudo, K. & Kirchner, H. (1998). Perceptual interaction of exciter and resonator properties in percussive instrument sounds.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 1885-1886.

Bey, C. & McAdams, S. (1997). Implication des processus descendants dans la formation des flux auditifs. La perception: Du natural 脿 l'artificiel,听Journ茅es Internationales d'Orsay sur les Sciences Cognitives 1997, pp. 29-32.

Belin, P., Smith, B., Thivard, L., Savel, S., Samson, S., Samson, Y. & McAdams, S. (1997). The functional anatomy of sound intensity change detection.Proceedings of the Society for Neuroscience, New Orleans.

Pressnitzer, D. & McAdams, S. (1997). Influence of phase effects on roughness modeling and control.听Proceedings of the 1997 International Computer Music Conference, Thessaloniki, pp. 31-34.

Paraskeva, S. & McAdams, S. (1997). Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of tension/relaxation schemas of musical phrases.听Proceedings of the 1997 International Computer Music Conference, Thessaloniki, pp. 438-441.

Susini, P., McAdams, S. & Winsberg, S. (1997). Caract茅risation perceptive des bruits de v茅hicules.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 543-546.

Pressnitzer, D. & McAdams, S. (1997). Influence de la phase sur la perception de rugosit茅 de sons complexes.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 535-538.

Faure, A. & McAdams, S. (1997). Comparaison de profils s茅mantiques et de l'espace perceptif de timbres musicaux.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 625-628.

Drake, C. & McAdams, S. (1997). The continuity illusion: Role of temporal sequence structure.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 519-522.

Bey, C. & McAdams, S. (1997). Etude des processus de formation des flux auditifs par une m茅thode objective.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 531-534.

Susini, P., McAdams, S. & Winsberg, S. (1997). Perceptual characterisation of vehicle noises.听Proceedings of the European Acoustics Association Symposium on Psychoacoustics in Industry and Universities, Eindhoven.

McAdams, S. (1997). Basic and applied psychoacoustics in France.听Proceedings of the European Acoustics Association Symposium on Psychoacoustics in Industry and Universities, Eindhoven.

Donnadieu, S. & McAdams, S. (1996). Effects of context change on dissimilarity, discrimination, and categorisation tasks on timbre perception.听Fechner Day 96. Proceedings of the 12th Annual Meeting of the International Society for Psychophysics,听Padova, ISP, pp. 239-244.

Pressnitzer, D., McAdams, S., Winsberg, S. & Fineberg, J. (1996). Roughness and musical tension of orchestral timbres.听Proceedings of the 4th International Conference on Music Perception and Cognition, Montr茅al, Faculty of Music, UU直播, Montr茅al, pp. 85-90.

Faure, A., McAdams, S. & Nosulenko, V. (1996). Verbal correlates of perceptual dimensions of timbre.听Proceedings of the 4th International Conference on Music Perception and Cognition, Montr茅al, Faculty of Music, UU直播, Montr茅al, pp. 79-84.

Donnadieu, S., McAdams, S. & Winsberg, S. (1996). Categorization, discrimination, and context effects in the perception of natural and interpolated timbres.听Proceedings of the 4th International Conference on Music Perception and Cognition, Montr茅al, Faculty of Music, UU直播, Montr茅al, pp. 73-78.

Pressnitzer, D., McAdams, S., Winsberg, S. & Fineberg, J. (1996). Tension musicale et rugosit茅 psychoacoustique dans la musique non-tonale.听Actes des Journ茅es d'Informatique Musicale, Caen, pp. 147-156.

Brochard, R., Drake, C., Botte, M-C. & McAdams, S. (1995). Focusing attention on one auditory stream does not depend on the number of simultaneous streams.听听Fechner Day 95. Proceedings of the 11th Annual Meeting of the International Society for Psychophysics,听Cassis, ISP.

McAdams, S., Botte, M-C. & Drake, C. (1995). The partitioning of loudness in the auditory continuity phenomenon,听Fechner Day 95: Proceedings of the 11th Annual Meeting of the International Society for Psychophysics,听Cassis, ISP.

McAdams, S. (1995). Listening strategies in electroacoustic music,听Proceedings of the International Congress in Music and Artificial Intelligence, Edinburgh.

Lakatos, S. & McAdams, S. (1995). Scaling of harmonic and percussive timbres: Perceptual spaces and verbal attributes,听SMPC95 Conference, p. 10, Berkeley, SMPC.

Donnadieu, S., McAdams, S. & Winsberg, S. (1995). Effects of context change on timbre perception,听SMPC95 Conference, p. 12, Berkeley, SMPC.

Beauchamp, J., Horner, A. & McAdams, S. (1995). Musical sounds, data reduction, and perceptual control parameters,听SMPC95 Conference, pp. 8-9, Berkeley, SMPC.

McAdams, S., Botte, M.-C., Banide, F., Durot, X. & Drake, C. (1994). The computation of loudness in the auditory continuity phenomenon.Proceedings of the ATR Workshop on "A Biological Framework for Speech Perception and Production", Kyoto听, ATR Tech. Rep. TR-H-121, 81-86.

McAdams, S., Winsberg, S., Murail, T., Fineberg, J., Bigand, E. & Drake, C. (1994). Dissonance: Allegories of the concept and Disintegrations of the preconceptions.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 317-318, 尝颈猫驳别, ESCOM.

McAdams, S. (1994). Big sister Pitch's little brother Timbre comes of age.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 33-34, 尝颈猫驳别, ESCOM.

Fales, C. & McAdams, S. (1994). Tone/noise fusion and timbre in African musical instruments.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 105-106, 尝颈猫驳别, ESCOM.

Donnadieu, S., McAdams, S. & Winsberg, S. (1994). Context effects in "timbre space".听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别听, pp. 311-312, 尝颈猫驳别, ESCOM.

Bigand, E., McAdams, S. & For锚t, S. (1994). Divided attention in polyphonic listening.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 237-238, 尝颈猫驳别, ESCOM.

McAdams, S. & Marin, C.M.H. (1990). Auditory processing of frequency modulation coherence. In F. M眉ller (Ed.)听Fechner Day 90.听Proceedings of the 6th Annual Meeting of the International Society for Psychophysics,听奥眉谤锄产耻谤驳, pp. 175-180.

Marin, C.M.H., McAdams, S. & Li茅nard, J.S. (1989). The role of beats in concurrent sound segregation based on frequency modulation cues,听Fechner Day 89. Proceedings of the 5th Annual Meeting of the International Society for Psychophysics,听Cassis, pp. 120-125.

McAdams, S. (1989). Music and psychoacoustics,听Fechner Day 89. Proceedings of the 5th Annual Meeting of the International Society for Psychophysics,听Cassis, pp. 1-4.

McAdams, S. & Saariaho, K. (1985). Qualities and functions of musical timbre,听Proceedings of the 1985 International Computer Music Conference, Vancouver, Computer Music Association, San Francisco, pp. 367-374.

McAdams, S., Gladkoff, S. & Keller, J.-P. (1985). AISE: A prototype laboratory for musical research and the development of conceptual tools,Proceedings of the 1984 International Computer Music Conference, Paris, Computer Music Association, San Francisco, pp. 143-162.

McAdams, S.听 (1983). Acoustic cues contributing to spectral fusion.听Proceedings of the 1983 International Congress of Acoustics,听3, 127-130,听Paris.

McAdams, S. & Wessel, D. (1981). A general synthesis package based on principles of auditory perception.听Proceedings of the 1981 International Computer Music Conference, Denton, Texas,听School of Music, North Texas State University, p. 308.

McAdams, S. & Soden, K. (2022). The Taxonomy of Orchestral Grouping Effects applied to Ravel鈥檚 Alborada del gracioso for orchestra. .

Vanasse, J. (2020b). Application of SVM to blend prediction.听MPCL Technical Report MPCL-005.

Vanasse, J. (2020a). Automatic classification of orchestral blend in multitrack audio.听MPCL Technical Report MPCL-004.

Macnab-S茅guin, P. & Lafortune, D. (2019). XML protocol for the Makimono project. MPCL Technical Report MPCL-002.

McAdams, S. & Goodchild, M. (2018).听Perceptual evaluation of the recording and musical performance quality of DOSim and OrchSim orchestral simulations compared to professional recordings. MPCL Technical Report MPCL-001.

Rioux, V., McAdams, S., Susini, P., & Peeters, G. (2006). Psycho-acoustic timbre descriptors. IRCAM CUIDADO Technical Report WP2.1.5.

PhD Dissertations

Huynh, E. Y. (2023).听Categorization, differentiation, and learning of atypically combined mechanical properties of musical instruments. UU直播, Montreal, QC.

Korsmit, I. R. (2023). An investigation of affective timbres: Considering affect locus, experimental context, and individual differences. UU直播, Montreal, QC.

Heng. L. (2023).听Perception of affective intentions in music: Timbre cues and differences in musical cultures. UU直播, Montreal, QC.

Soden, K. (2020). Orchestrational combinations and transformations in operatic and symphonic music. UU直播, Montreal, QC.

Kazazis, S. (2020).听Psychophyiscal scaling of timbre-related audio descriptors. UU直播, Montreal, QC.

Bonin, T. (2019). On the perception of musical form and the shouga of traditional Japanese music. UU直播, Montreal, QC.

Touizrar, M. (2019). From ekphrasis to apperception: The sunlight topic in orchestral music.听UU直播, Montreal, QC.

Noble, J. (2018). Perceptual and semantic dimensions of sound mass. UU直播, Montreal, QC.

Goodchild, M. (2016). Orchestral gestures: Music-theoretical perspectives and emotional responses. UU直播, Montreal, QC.

Sears, D. (2016). The classical cadence as a closing schema: learning, memory, & perception. UU直播, Montreal, QC.

Siedenburg, K. (2016). Perspectives on memory for musical timbre. UU直播, Montreal, QC.

Taher, C. (2016). Motivic similarity and form in Boulez鈥檚 Anth猫mes. UU直播, Montreal, QC.

Tan, A. (2015). Ksana: Compositional control of spectral fusion as a parameter of timbre functionality. UU直播, Montreal, QC.

Lembke, S-A. (2014). When timbre blends musically: Perception and acoustics underlying orchestration and performance. UU直播, Montreal, QC.

Chon, S. H. (2013). Timbre saliency, the attention-capturing quality of timbre. UU直播, Montreal, QC.

Wollman, I. (2013). Perception bimodale des violonistes en situation de jeu : influence des retours auditif et vibrotactile sur l鈥櫭﹙aluation du violon. Universit茅 Pierre et Marie Curie, Paris, France.

Daniel, A. (2011). Spatial auditory blurring and applications to multichannel audio coding. Universit茅 Pierre et Marie Curie, Paris, France.

Valli猫res, M. (2011). Beginnings, middles, and ends: Perception of intrinsic formal functionality in the piano sonatas of W. A. Mozart. UU直播, Montreal, QC.

Peters, N. (2010). Sweet [re]production: Developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception. UU直播, Montreal, QC.

Rogers, S. E. (2010). The influence of sensory and cognitive consonance/dissonance on musical signal processing. UU直播, Montreal, QC.

Gingras, B. (2008). Expressive strategies and performer-listener communication in organ performance. UU直播, Montreal, QC.

Giordano, B. (2005). Sound source perception in impact sounds. Universit脿 degli Studi di Padova, Padua, Italy.

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MA Theses

Huang, Y. (2023). Affective qualities of sustained instrumental blends. UU直播, Montreal, QC.

Darche, C. (2023). Analysis of timbral augmentation in the Orchestration Analysis & Research Database (OrchARD). UU直播, Montreal, QC.

Zhu, L. (2022). Comparison of perceived and imagined instrumental blend. UU直播, Montreal, QC.

Henry, M. (2021). A perceptual study of amplitude modulation vibrato. UU直播, Montreal, QC.

Huynh, E. (2019).听Bowed plates and blown strings: Odd combinations of excitation methods and resonance structures impact perception. UU直播, Montreal, QC.

Heng, L. (2018). Timbre in the communication of emotions among performers and listeners from western art music and chinese music traditions. UU直播, Montreal, QC.

Kim, N. E. (2017). The effects of timbre on harmonic interval tuning and perception. UU直播, Montreal, QC.

Lou, L. I. (2017). Timbre memory, familiarity and dissimilarity. UU直播, Montreal, QC.

Cao, Y. (2015). The dominance of haptics over audition in stabilizing wrist kinematics during striking movements. UU直播, Montreal, QC.

Douglas, C. (2015). Perceived affect of musical instrument sounds. UU直播, Montreal, QC.

Gates, S. (2015). Perceptual interactions of pitch and timbre: An experimental study on pitch-interval recognition with analytical applications. UU直播, Montreal, QC.

Wood, C. (2015). Perception of timbre intervals. UU直播, Montreal, QC.

Kersaudy, P. (2012). Toward a predictive model of the subjective quality of saxophone reeds. Universit茅 de Nantes, Nantes, France.

Upham, F. (2011). Quantifying the temporal dynamics of music listening: A critical investigation of analysis techniques for collections of continuous responses to music. UU直播, Montreal, QC.

Miller, M. (2011).听Nicola Vicentino and the enharmonic diesis: An analytical and empirical study. UU直播, Montreal, QC.

Shortway, N. (2007). 鈥淭his one goes to eleven...鈥�: A methodological study of the recording and evaluation of emotional response to music. UU直播, Montreal, QC.